The new full length (number two) from the Boston based avant-black/death/doom band Ehnahre, Taming The Cannibals, is one of the more cerebral and challenging "death metal" albums to have come through the Crucial Blast headquarters this year. After being turned on to their excellent debut from 2008 The Man Closing Up, I've been itching to hear more from these warped death abstractionists; their debut instantly dazed me with its jarring, alien approach to bestial slow-motion death metal, drawing heavily from the twelve-tone serialism of composer Arnold Schoenberg and the outer fringes of free-jazz and free improvisation as much as they do from the foul black pit of early 90's death metal and doom. Even after years of devouring the most dissonant strains of death metal that I could get my mitts on (Gorguts, Demilich, Immolation, Portal, etc.), these guys stunned me with their extreme chaotic dissonance and pitch-black chthonic textures, a combination of atonal 20th century classical music and vicious blackened death laced with squalls of free-jazz horns, stretches of intense choral ambience, and blasts of calcifying glacial doom...