REDUCTION PLAN - (AE) MAETH LPREDUCTION PLAN's music comes from within solitude's frigid embrace. Pulling from '80s goth, industrial, dream pop, as well as cacophonous no wave, Reduction Plan uses both noise and space to illustrate the power of silence. Synth swells, hypnotic guitars, pulsing drum machines, and haunting murmurs form the foundation of the projects sound. The record finds MANNING expanding Reduction Plans sound into heavier, more distorted territory. Album opener An
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REDUCTION PLAN's music comes from within solitude's frigid embrace. Pulling from '80s goth, industrial, dream-pop, as well as cacophonous no-wave, Reduction Plan uses both noise and space to illustrate the power of silence. Synth swells, hypnotic guitars, pulsing drum machines, and haunting murmurs form the foundation of the project’s sound. The record finds MANNING expanding Reduction Plan’s sound into heavier, more distorted territory. Album opener “An Act of Self-Immolation” leads with an ominous synth hum, followed swiftly by an explosive wash of distorted guitars. Second track “Meridian” is an eerie, bass-driven dirge inspired by the turmoil and brutality of Cormac McCarthy’s seminal novel Blood Meridian. It isn’t all doom and gloom throughout the opening moments, however, as “The River” opens with a soaring saxophone solo, bouncing drum machine groove, and shimmering, chorus-heavy guitars.
For fans of Cold Cave, Drab Majesty, Have A Nice Life and New Order.